Jenny Stulberg and Lauren Simpson

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Resources for dancers, musicians, filmmakers, and creatives.

Resources

27 items

Codex for Musicians: Notation, Arranging, and Transcription

Codex for Musicians: Notation, Arranging, and Transcription

How Codex helped turn an improvised piano and modular synth recording into readable notation and live performance parts.

Teaching My Smart Friends AI

Teaching My Smart Friends AI

Those of us who become early adopters to teach others have an amazing opportunity to make a disproportionate impact on the people around us.

Scores

Scores

Scores is a new tool I’ve made for editing and mixing music from Sound for Movement right on the website.

ChatGPT Pro as a First Hire

ChatGPT Pro as a First Hire

One year with ChatGPT Pro as a first hire in a one-person music company.

Rhythm

Rhythm

Rhythm is a felt understanding of what’s happening within us and around us.

Musicians in Dance

Musicians in Dance

"We are a niche, within a niche, within a niche."

Licensing

Licensing

"Reaching out for licensing is a perfect way to initiate future collaborations."

Remote Collaborations

Remote Collaborations

"I no longer need to travel to see a rehearsal of a piece, which allows me to work with anyone with access to the internet."

Working with an Accompanist

Working with an Accompanist

"Communication struggles that happen in a class can be averted by taking 15 minutes to connect beforehand."

Budgets

Budgets

"A budget has nothing to do with respect, self worth or fairness."

Music and Process

Music and Process

"There is no right or wrong time for music to come into the choreographic process."

Starting a Collaboration

Starting a Collaboration

"Collaborations can be a place to learn something new about your own process."

Open Time

Open Time

"Music with no counts, or open time, is most often called ambient."

Teach / Watch Phrases

Teach / Watch Phrases

"Practicing as a group makes musical concepts much more approachable."

Music and Movement in 4

Music and Movement in 4

"The most common meter is 4, but that does not make it any more or less complex."

Music and Movement in 5

Music and Movement in 5

"Accents play a huge role in how meters feel when counted."

Music and Movement in 7

Music and Movement in 7

"Every meter can be counted at any tempo."

Beat, Pulse, Tempo, and Meter

Beat, Pulse, Tempo, and Meter

"A person is not a better or worse dancer if they choose to use, or not use, counting with movement."

Listening to music is a practice.

Listening to music is a practice.

Beyond how we listen and where we listen, there are many ways we can listen to music while introducing physical practices. These exercises can be done with any piece of music. I...

Music and Movement in 3

Music and Movement in 3

"Meters are “containers” for counted movement."

Choosing Music

Choosing Music

"Search for music with someone in mind."

The Tiny Dance

The Tiny Dance

"Music can create an environment where even the smallest movement from a dancer can be framed and influenced."

Timbre

Timbre

"Is this a trombone or a marimba?"

Choreographic Listening

Choreographic Listening

"The more you practice speaking about your choreography, the easier it will be to collaborate with others."

Musical Imagination

Musical Imagination

"There is no "special or specific" way to speak about music in dance."

Playlists

Playlists

"Give students as many different experiences moving to as many different types of music as possible."

Embodied Musical Knowledge

Embodied Musical Knowledge

"Dancers are not beginners at music."