
Codex for Musicians: Notation, Arranging, and Transcription
How Codex helped turn an improvised piano and modular synth recording into readable notation and live performance parts.
Resources for dancers, musicians, filmmakers, and creatives.
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How Codex helped turn an improvised piano and modular synth recording into readable notation and live performance parts.

Those of us who become early adopters to teach others have an amazing opportunity to make a disproportionate impact on the people around us.

Scores is a new tool I’ve made for editing and mixing music from Sound for Movement right on the website.

One year with ChatGPT Pro as a first hire in a one-person music company.

Rhythm is a felt understanding of what’s happening within us and around us.

"We are a niche, within a niche, within a niche."

"Reaching out for licensing is a perfect way to initiate future collaborations."

"I no longer need to travel to see a rehearsal of a piece, which allows me to work with anyone with access to the internet."

"Communication struggles that happen in a class can be averted by taking 15 minutes to connect beforehand."

"A budget has nothing to do with respect, self worth or fairness."

"There is no right or wrong time for music to come into the choreographic process."

"Collaborations can be a place to learn something new about your own process."

"Music with no counts, or open time, is most often called ambient."

"Practicing as a group makes musical concepts much more approachable."

"The most common meter is 4, but that does not make it any more or less complex."

"Accents play a huge role in how meters feel when counted."

"Every meter can be counted at any tempo."

"A person is not a better or worse dancer if they choose to use, or not use, counting with movement."

Beyond how we listen and where we listen, there are many ways we can listen to music while introducing physical practices. These exercises can be done with any piece of music. I...

"Meters are “containers” for counted movement."

"Search for music with someone in mind."

"Music can create an environment where even the smallest movement from a dancer can be framed and influenced."

"Is this a trombone or a marimba?"

"The more you practice speaking about your choreography, the easier it will be to collaborate with others."

"There is no "special or specific" way to speak about music in dance."

"Give students as many different experiences moving to as many different types of music as possible."
"Dancers are not beginners at music."